The six-minute setting for soprano and orchestra, adapted from Goethe by the composer, is a somber experience dedicated to the memory of Getty’s troubled son Andrew, who died last year. Like the composer’s opera Usher House, the piece shows Getty’s increasing mastery of and sensitivity to text. Lisa Delan was the fine soloist in an arioso with a wavering orchestral accompaniment that sounded simultaneously gentle and jagged. I found it to be one of Getty’s best works.